Saturday, March 28, 2015

ALBUM REVIEW: The Quireboys excel on St Cecilia and the Gypsy Soul

SPIKE and his merry band of troubadours churn out excellence so consistently that when they release a new album it seems a given that it will be another stellar platter. And, that's the case with the latest offering from The Quireboys 'St Cecilia and the Gypsy Soul'.

It would be possible to just leave it there - The Quireboys unleash a great album, full stop, end of review.

But, hell that would be a disservice to this lush offering of heartfelt odes to the human condition. Whatever was in the water in Swedish town Klippan when the band got down to recording it should be distilled and shared globally.

Just listen to the yearning, the heartache and broken words of 'The Promise' strings, acoustic solo runs and a nagging repetitive riff that tugs and tears at the soul.

And, in contrast the title track, 'St Cecilia' has that wild air of people living on the edges of society, where it is dangerous to be, but safer than the world where suits and billionaire banker bask in their ill-gotten gains.

'Can't Hide It Anymore' is the song that will have every American middle-of-the-road rocker gets down on their knees, knowing they'll never be able to match in terms of balance and perfection. Spike even gives a slight twang of mid-Atlantic accent at times to add to the atmosphere.

However, that wasn't the plan when Spike, Paul, Guy and Keith headed to Scandanavia...

“The plan was always to record some new acoustic songs and rework some originals,” said Spike. “But the plan changed. There was something about that place – the vibe got better and better and we just went with the flow.”

Aptly there is a track on the album called 'The Best Are Not Forgotten' because this release comes as a four-CD package, including 'Halfpenny Dancer' – finally available again – and two discs covering the previously unreleased 2010 Halfpenny Dancer live show featuring fiddles, pedal steel, mandolin, banjo and more.

“This side of the band needs to heard,” said Spike. “And we’ll be taking the new music out on the road with our most intimate tour yet.”

That road  trip concludes in The Diamond Rock Club (tonight, 28th March) and if you missed out on the show then make sure to grab this album.

Back to where we started - The Quireboys, steeped in excellence, releasing excellence.

St Cecilia and the Gypsy Soul is released on March 30th on Off Yer Rocka
Review by Jonny

Wednesday, March 25, 2015

ALBUM REVIEW: Therapy? go back in time to catch up on Disquiet with melodies and menace

NORTHERN Ireland's Therapy? were once described by Kerrang! (when it still was a metal mag) as the UK's potential version of Metallica. With 'Troublegum' bothering charts across the globe the potential was certainly there.

But Therapy? were happier being the awkward kids and released a selection of densely packed albums to shove a middle finger up at the fashionistas and scenesters. Well, they are from Northern Ireland...

Now, 21 years after 'Troublegum' Therapy? have released their 14th studio album with a re-imagining of the characters from 'Troublegum' older, wiser, and three times as cynical.

This could have been seen as a desperate attempt to re-capture the success of that album  - something that Andy Cairns denies - but instead infuses itself with tracks that are darkly glorious; a melange of melodies and menace.

Out this week on Amazing Record Co. this is simply put a fantastic release. Yes, 'Crooked Timber' and 'A Brief Crack of Light' were great albums, but this time they have stretched themselves to produce an album that is accessibly dark, living up to its title 'Disquiet'.

Take the likes of 'Fall Behind' and 'Idiot Cousin' - twisted tales that glory in the shadows of human existence yet have more hooks than an illegal tuna fisherman.

“We wanted to write something a bit more anthemic again,” said Andy. “In May last year we did a 20th anniversary tour for the ‘Troublegum’ album, and it was completely sold out, and it was great hearing those songs sung back at us, and seeing what they meant to people.

"Clearly it would be idiocy for us to attempt to recreate ‘Troublegum’, because that was a different era, and a different band line-up, but the starting point for this album for me was thinking ‘What would the protagonist of Troublegum be doing twenty years on?

Our last two albums were more experimental and diverse, and we already knew that he wanted to go back to more ‘song’-based stuff this time around, so that conceptual idea dovetailed perfectly with what we planned in terms of the musical direction.”

And, we present as evidence the opening riff of 'Helpless Still Lost' and subsequent chorus - this is Therapy? at their malevolent best.

Tom Dalgety's production keeps the darker tones of more recent releases, but allows the tracks to breathe their putrid vapours on 11 tracks of what is correctly put in the PR blurb as "in-your-face, bruisingly melodic punk/metal".

Nowhere is this more evident than on the outstanding 'Torment Sorrow Misery Strife'. Andy with Michael McKeegan (bass) and Neil Cooper (drums) have distilled a dark brew, a heady concoction that no band who were not from Northern Ireland could ever have produced.

That is best summed up on concluding track 'Deathstimate', a slowed down track that eschews self-pity in favour of the melancholic Irish trait to hone in on mortality. It is a triumphant close to the album as Andy contemplates 'the end' of everything a life may have held.

'Disquiet' could have been  a re-treading of 'Troublegum' but instead it sees a band reflective but raucous; menacing and malevolent; and,confrontational in examining the human condition.

Review by Jonny

ALBUM REVIEW: Glaswegian rockers The Toi turn musical water into delicious rock win

THREE piece Glaswegian hard rockers The Toi have finally released an album they had intended to unleash two years ago - and its been worth the wait.

For those that haven't heard of them, the band is a three piece hailing from Glasgow featuring Paul Healy (vocals/guitar), Andy Carr(bass/guitar/vocals) and Stevie McLay(drums/vocals) who take their name from an old Glasgow word for gang.

Having established a good live reputation in their native city 'Water into Wine' is their first album release. Originally meant to be released in 2013 several setbacks have seen its delay until now but it was worth the wait.

'Water into Wine' is a rock/pop album that will have cross appeal and is melodic and menacing at the same time. With Dan Hawkins (The Darkness) at the helm you should expect nothing less; with catchy hooks and big choruses throughout. With a nod to Bon Jovi and Bruce Springsteen among others you get the picture.

Songs such as opener 'Get it on' , 'Come Alive' and 'Staring at the Sun' showcase the hook and chorus element while 'Cold in the Night' has a straight up Jovi chorus.

'Till the Morning Comes', 'The One' and 'I Think about You' (with a great riff and bass line) are pure hard rock and spit and snarl with a few melodies thrown in for good measure.

'Water into Wine' shows the bands ability to write hard hitting lyrics as it's about a Catholic Priest they knew (and doesn't pull many punches). It also has a bit of a Mama's Boys vibe to it which is all the better.

With 'Down by the River' the Toi go all Springsteen on us but with a bit more balls and add in a bit of a Tommy & Gina story-line making this seven minute closer an epic which must be a live favourite.

Overall a very decent debut album with excellent guitar work throughout and as said before should appeal to a wide audience.

The Toi may well be the best thing to come out of Glasgow since Billy Connolly. Watch out for them.

Review by Andy Gillen.

First bands confirmed for Monsters Of Rot V

IT'S been one of Ireland's best kept metal secrets -  a one-day fest of extreme metal held in the farthest corner of Northern Ireland - Monsters of Rot.

Now in its fifth incarnation the first eight bands to appear this year installment have been confirmed.

The annual celebration of all that is best about the extreme metal scene on the island of Ireland – and beyond – takes place in Letterbreen, County Fermanagh, on Saturday August 1.

The first eight bands announced for the main PlanetMosh Stage are:
  • Dublin grindcore merchants Abaddon Incarnate (,
  • UK black metallers Aklash (,
  • Belfast metal crew, and Bloodstock Metal 2 The Masses semi-finalists, Altus (,
  • Lisnaskea alt-metallers Attack The Day(,
  • Limavady hardcord protagonists Axecatcher (,
  • Dublin death metal gurus Guttrench (,
  • Dublin punks Job Seekers (, and
  • Drogheda crusties Okus (
More bands will be announced over the coming weeks, as will details of the event’s second stage.
Tickets for the event will cost £15/€18, including camping, and will be available soon from the events official website,

A special return bus service will also operate from Belfast to Letterbreen, via Portadown.  Again, details will be announced in the near future.

In the meantime, you can keep abreast of developments via the Monsters Of Rot V Facebook page,

Tuesday, March 24, 2015

NEWS: Six band Saturday with Sinocence; Vikings and metal; Bloodstock pre-party and FM lyric video


IT'S a six-band Saturday this weekend. Sinocence have the Belfast launch of their ep No God, No Masters Vol 2 (review here) at Limelight2 with colleagues in rock Gasoline Outlaws, Donum Dei, Maverick and Conjuring Fate.

Doors are at four pm with the action running through until 9pm.

Hardy rock fans will then (if they have not already) made their way to the Diamond Rock Club to see The Quireboys conclude their unplugged tour.

That's a damn busy Saturday of rock!


THE History Channel have just this week premiered Season Three of the most metal of programmes 'Vikings'.

With recruiting underway for extras in Dublin shortly (long hair and beards useful of course) there is a distinct metal connection with the programme.

Warduna's main man Einar 'Kvitrafn' Selvik has co-written the score and makes an acting appearance on the show.

For those who have not caught up with Warduna as yet, let's just say that after the release of 'Gap Var Ginnunga' they won the Golden God as Best Underground Metal Band in 2014...

HEADING to Bloodstock? It just might be worth your while being there on Thursday...

The Sophie Lancaster Stage will host a warm-up that will set the tone for a weekend of partying...

The bonkers Arnocorps will headline with their metal interpretations of one Mr Arnie Schwarzenegger oeuvre of action packed films.

The PR blurb has the band declaring: We're so pumped to be bringing our action adventure, audio assault to the ballsiest of all metal festivals."

Opening the fest will be Reign of Fury, followed by Metaprism and Welsh death metallers Desecration.

And, if you really aren't sure that the party is getting underway then pirate metal act Red Rum will be bringing their rum-infused rabble rousing set to Bloodstock. They were magnificent at HRH United on the Hammerfest stage. Check out 'Make Port, Drink Port' on


CONSTANT readers will remember Andy Gillen's review of FM's new album 'Heroes and Villains'

The AOR band has now released a lyric video for 'Life Is A Highway'. Along with 'Digging Up The Dirt' - the first video/single from the it is available now as an Instant Gratification track on iTunes with album pre-orders at

FM axeman Jim Kirkpatrick said: "Life Is A Highway is one of the band's favourite songs from 'Heroes and Villains'.
"Steve Overland brought the original idea to rehearsal and then the rest of the band all chipped in to created this melodic rocker".
'Heroes and Villains' is the band's first release on Frontiers Srl and you can watch Life Is A Highway below...


ALBUM REVIEW: Roth rises to reinvent classic Scorpions

ULI Jon Roth is something of a guitar afficianado for guitar afficianados. Back in the formative years of Scorpions Uli Jon Roth created textures before the Scorps gave way to the hair metal of the mid-80s (not that was necessarily a bad thing).

With the Scorpions set to play Ramblin' Man Fair in July interest in the band is high, and those Scorpions fans who remember the glory days of 'Tokyo Tapes' will also recall the four albums - 'Fly To The Rainbow', ' In Trance', 'Virgin Killer' and 'Taken By Force'.

Now Roth has went back to those albums with 'Scorpions Revisited'.

And that term 'Revisited' is important. These aren't just covers of the originals. Roth has de-constructed the songs with Nathan James (vocals), Jamie Little (drums), Ule W. Ritgen (bass), Niklas Turmann (guitar, vocals), Corvin Bahn (keyboards, vocals) and David Klosinski (guitar).

Disc One is recorded live in Hanover this is a set of songs that real Scorpions fans should know well. Opening with 'Sails of Charon' and closing with 'Fly To The Rainbow' this a selection presented on a double CD set.

There are some fantastic interpretations on here. For example 'In Trance' has the sense of the original, but enough of a re-interpretation to make fans check out both this and the original.

'Polar Nights' is really enjoyable, while on Disc 2 'We'll Burn the Sky', 'Life's Like A River' and the 11-minute 'Fly To The River' preceded by the improvised 'Rainbow Prelude' makes it a delight.

"The material for this double CD was recorded last year in the same hall in Hanover that we used for the Scorpions rehearsals 1973-1978,” said Roth.

“Together with an amazing bunch of very talented young musicians, I revisited my personal favourites from the early Scorpions period, some of which were written in that same hall.

"It was an emotional few days and I am very pleased with the results in more ways than one. The idea was to stay truthful to the original spirit of the music, while also putting a new slant on it whenever it felt like the right thing to do.

"I feel we really succeeded in this and I’m very excited about this project. It was a intense journey into the past and I think we really managed to bring the songs back to life with a vengeance."

This is said to be the first re-engagement of Roth with his past and further announcements are expected later this year.

What it does prove is that Scorpions have always more than 'Winds of Change' or ''Rock You Like a Hurricane'.

Uli Jon Roth - Scorpions Revisited is out now on UDR
Review by Jonny

LIVE REVIEW: Kicking up a 'Hale' of a storm with Lzzy

IN less than a year Halestorm have leaped from a supporting slot in Belfast's Voodoo to headlining the larger venue of Limelight1 on the city's Ormeau Avenue.

A combination of smart PR and a damn fine set of songs - especially from new album 'Into the Wild Life' - have helped place them in the upper echelons of bands proving their worth on the stage.

But before the venue could bow at Lzzy Hale's performance support act Wilson kicked people's ass into a party mood.

They came on stage with an attitude - as if they were headlining the Odyssey Arena; full on big sound and full on rockin' out.

Hard rock teetering on the edge of old school metal, frontman Chad Nicefield bellows out a set that promises yet more to come from Wilson.

Truth be told they were the perfect act to warm up the crowd for Halestorm; a band that inspires the increasingly packed venue to loft smiles and raise pint glasses.

Lzzy Hale has always been the focus for the mainstream media -  as if there has never been a female fronted band in rock history. To focus on Lzzy ignores the fact that this is a band, not a celebrity vehicle.

True Lzzy and her brother Arejay (drums) are the only original members, but Joe Hottinger (lead guitar) and Josh Smith (bass) complement each other on stage.

This was an accomplished performance, but without the feel of an overly rehearsed set. February 28th was only the second date on the European 'Into The Wildlife Tour' and it had a freshness to the set, despite the lengthy US tour.

With a mixed set list Lzzy commanded the stage, with Joe very much her wingman. Whether it was 'It's Not You', 'Familiar', the awesome 'Apocalyptic' or 'You Call Me A Bitch...' each was approached with a confident swagger.

It is important to say that this was not an arrogance on stage. Swagger comes from an assuredness in what can be done, understanding limitations and emphasising strengths.

While one can appreciate the accomplished drum solo - and its role in a set to allow a break for the front line, it does break the pace, before 'Mayhem' brings the venue to life again.

As the punters emerged into the fresh Belfast air what was sure is that Halestorm have the promise of longevity on the hard rock scene. They have the assuredness and the songs to keep audiences hooked for years to come.

Or, to put it another way, Halestorm will be welcomed back to Belfast whenever they next roll round to another European tour.

Review by Jonny
Photos by Darren McVeigh - MetalPlanetBelfast


Monday, March 23, 2015

NEWS: Ash added to Slane line-up; Dienamic's new album; The Answer chart and Blue Pills release live album


THE Foo Fighters Slane line-up for the 30th May show has now been completed with County Down pop punk act Ash and Cavan rockers The Strypes.
Also playing with the Grohl and crew are the Kaiser Chiefs and Hozier...
Tickets are €79.50 plus booking fee.


THEY may not have any UK shows penciled in at the minute, but take some time to check out Norwegian metal act Dienamic's recorded output to date.
And then prepare to check out their upcoming release 'Afterlife', which sees axeman Stein-Odin Johannessen and vocalist Gustav H Lindquist pushing their previous boundaries.

Set for release on Italian label Worm Hole Death the touring line-up will see Sebastian Jacobssen and Kenneth Iversen Muotkajaervi take up drum and bass roles.

LOCAL heroes, The Answer, have enjoyed chart success with latest release 'Raise a Little Hell'.

The album charted at #44 in the UK album chart, was number one in the Rock Chart and number six in the Indie chart.
Live review and interview coming soon, Read our review of 'Raise A Little Hell' here.

SCHEDULED for a Belfast appearance on April 27th, Blue Pills have released a limited edition live album.
It's a cracker release recorded at the Freak Valley Festival, but with the relatively uninspired title 'Blue Pills Live'.
The Belfast show is at Limelight2 with support from Raveneye. Tickets are £16 from all usual outlets.


Tuesday, March 17, 2015

INTERVIEW: Evil Scarecrow snagged by our colleague Mark Ashby ahead of Belfast date

AMONGST all good journos and reporters there is a collegiate spirit. We help each other out, even if we write, review etc for different sites or magazines.

Thus, while were reviewing the Hammerfest stage at last weekend's HRH United our friend in metal, Mark Ashby of Planet Mosh fame nabbed a few words with Evil Scarecrow ahead of their April 12th Belfast date in the Voodoo.

Massive thanks to Mark for doing this - suppose we have to buy him a pint now!

In the meantime I expect y'all to be practising the Crabulon

Sunday, March 08, 2015

EP REVIEW: Dynamic Sinocence deliver majesty and power on No Gods, No Masters Vol 2

WE'RE going to go out on a limb here...the five tracks on Sinocence's latest release are the best set of songs they've ever laid down.

Yes, Sinocence have written some outstanding material in the past, but 'No Gods, No Masters Vol 2' is a peerless collection of modern metal; measured, majestic and mayhem all combined with the shading and subtlety that enables all band members to showcase their abilities.

Less of an ep, more a mini-album it plunges the listener into a series of masterpieces that show a band that is mature, without losing the sense of creative adventure that keeps music fresh.

There are no stand-out tracks to single out - they're all stand-out tracks.

From opener 'Ascension Code' to closer 'Covert Messiah' it is 28 minutes of lush metal landscapes, dense lyrical adventures that sees Moro, Anto, Jim and Davy excel.

'Valorous' sees strings deployed and 'Slavery By Consent' and 'Covert Messiah' balance pace with power.

Moros's voice holds the listener, while Anto delivers controlled fury on lead breaks, with Jim and Davy's rhythm section laying a solid foundation while playing with a flourish.

What makes it an ep that deserves repeated listening is the separation in the production, with each instrument given the space at the right time; indeed the job that Frankie McClay does is reminiscent of the early 80s work of Martin Birch on the likes of Maiden and Marillion.

'In Kymatica' is the sort of song that could have been lost with poor production and mixing; while the closing minute delicacies 'Covert Messiah' could have sounded wrong without the dexterous playing and the sensitive fingers at the desk.

We'll leave you to explore the lyrics yourselves as throughout the sense is clear, even if the interpretation isn't always - plenty to mull over on each song.

What must be said about this release is that it is a platform for Sinocence to push to the next level on stage. The back catalogue may be over shadowed by some of these songs, but it will enable a set list that has no downside.

Volume Two - perfect score all round, and sets the proverbial bar very high for Volume Three.

Sinocence launch the ep in Dublin on March 14th, and in Belfast on March 28th with four  bands lined up for support (Conjuring Fate, Maverick, Donum Dei and Gasoline Outlaws) all for a measly five of your pounds.

Review by Jonny

Monday, March 02, 2015

ALBUM REVIEW: Midnight Ghost Train revel in southern roots

SOUTERN Rock is a broad genre of music that takes in the bad trip inspired grooves of Down to the more laid back, good time vibes of bands like Clutch. The discerning fan of heavy music will normally find something they like in the wide range of styles involved in this genre and this is where The Midnight Ghost Train comes in.

For those not in the know The Midnight Ghost Train are a hard rocking trio consisting of Steve Moss on vocals and guitar, Brandon Burghart on drums and Mike Boyne on bass and Cold Was The Ground is their third album and their first release for Napalm Records.

The band take their name from a lyric in the Hank Williams song 'I'm So Lonesome I Could Cry' and while the music is as far from country as you can get, lyrically they do seem to take a little inspiration from the Outlaw Country greats such as the much missed Johnny Cash and Waylon Jennings with their tales of woe and standing up to those who look down on you.

For the most of this eleven track album they play at full tilt. Guitar, Bass and drums locked into one immense groove. The production is sparse and really suits the music, anything too polished would take away some of the grit from the songs.  Musically the band have hints of Clutch to them at times and that can never be a bad thing. 

The thing that sets The Midnight Ghost Train apart from their peers are the gruff bellowed vocals of Steve Moss.  His vocals are quite abrasive compared to the music they play and may put some people off at first however stick with the album and they end up suiting the feel of the music.
As already touched upon this album has a powerful groove to it and you get the impression that the songs from this album will be fantastic in a live setting but while the music has a good time feel to it, the lyrics are dark and at times quite depressing. 'Arvonia' has Steve Moss bellowing "fetch me my 12 gauge, I'm a gonna shoot that man" followed up by the threat of "I ain't going to kill you, I'm just gonna make you pay".
'The Little Sparrow' is the standout track on the album.  The vocals are spoken and quite poetic and the music in the background is sparse and haunting.  Lyrics such as "how can music be so free and still take all that you have.  I thought you were my saviour once but now I see you were my death" paint Steve Moss as a tortured soul, completely taken over by his music.

From start to finish 'Cold Was The Ground' is a fantastic album without a weak track on it. It is not the most immediate album out there and may require it to be listened to a number of times before you realise just how good an album it is.  Fans of no frills southern style rock/metal should find a lot to enjoy and admire about this great wee album and if there is any justice in the world The Midnight Ghost Train should find themselves moving onto bigger and better things.

Review by Gavin O'Connor 

ALBUM REVIEW: Muscular melodic Trucker Diablo show their quality on Rise Above The Noise

LAST year Jake Burns of SLF told us that recording an album on Pledge Music was a challenge because when a band enters a studio people have already committed their cash before hearing or knowing what the album would sound like, or whether their audience would 'get it'.

Thus, when Trucker Diablo. decided to end their temporary hiatus it must have taken balls the sizes of water melons to commit fans to purchase 'Rise Above The Noise' before a singe track had been laid down in pre-production in the Rock Shed.

But, fans faith has been rewarded by an album that would put many a major league artists to shame: indeed if labels are not clamouring for Trucker's signatures on contracts they are idiots.

From opener 'Fight Life' through to closer 'Don't Cry' this is masterclass in muscular, melodic hard rock: all the elements that make art form such a cathartic and joyous experience.

With the likes of 'Girl in a Photograph' eeking out the hard rock groove - with stunning solo to boot -  and the anthemic 'Party Like They Started The End Of The World' there is not a dud track.

Amidst all the songs with the trademark Trucker bottom end they are comfortable stretching their sound. The southern rock infused 'Take Me To the River' will have many of the so-called southern boogie bands going back to the drawing board.

Taking the hard rock template to its most impressive format - the power ballad -  Trucker deliver something extraordinary in the shape of 'Murder Ballad'. Hard rock acts across the globe will shake their heads in disbelief as they find they have had their asses handed to them on the proverbial plate by Northern Ireland's Trucker Diablo.

It is clear that the band has emerged from its hiatus invigorated, energised and effervescent. Damn it, hard rock is never better than this.

But, by the same token this is not a one-dimensional release of hard rock. Instead Tom (Harte) and his compadrés have delivered a rounded album, full of hard rock standards, tight appropriate solos and riffs that roll and rock the way they should - just listen to the closing few minutes of 'Sun Deprives The Day'. And as for 'We Stand Strong' this will be a killer!

What could have been a train wreck after the impressive 'Songs of Iron' instead shows Trucker Diablo triumph. When the Quireboys Keith Weir tickles the ivories it is but another part of the Trucker package that pulls no punches, aided by Frankie McClay's production.

If you have not managed to get this album then make tracks to get it...that's not a suggestion, that's an order!

Rise Above The Noise is out now! The 'official' album release party is on March 7th at the Diamond Rock Club in Ahoghill Rock City...

Review by Jonny

ALBUM REVIEW: Enslaved push yet more extreme music boundaries on In Times

EXTREME metal is just noise with growls. Right? No, it is about something that can be transcendental, where the depths and insistent talent throw curve balls at the listeners aural tracts, unbalancing perceptions and blowing apart preconceived notions.

Such is the case with Enslaved. This Friday (March 6th) sees the release on Nuclear Blast of 'In Times' - a pure slab of heaviness and subtleties; progressive extreme metal at its best.

It is not, however, easy listening to kick back to, despite the many nuanced instrumental sections. There is not a song amongst the six on here that is less than eight minutes long, and the title track is 10-minutes plus.

But each journey on this road on 'In Times' is well worth the effort.

Tale 'Nauthir Bleeding'. From an almost gentle tender opening, through clean singing, to black metal style guttural screams, on to carefully chosen changes in tempo.

'One Thousand Years of Rain' rolls in like an arctic storm, squalls of furious intent, rolling thunder from Cato Bekkevold's drums while Grutle Kjellson's bass propels the pace along for Arve 'Ice Dale' Ivar Bjørnson and Herbrand Larse to paint textures: one minute moving from choral chanting to a slick, brief acoustic interlude before thrashing your ass off.

Enslaved have taken their own template from their decades of existence, honed on last release 'RiitiiR' and taken it to the proverbial next level.

Each song has hidden complexities that only repeated listens unveil; such as the deft solo passage over the insistent riffing that lasts for two minutes plus on the title track.

There is not a bad passage of music on this release, let alone a bad track.

In short, on 'In Times' Enslaved have produced a supreme example of what extreme metal can do for the listener.

'In Times' is released on Nuclear Blast on March 6th 2015.

Review by Jonny

ALBUM REVIEW: It’s not the Final Countdown as Europe excel on War of Kings

POP pickers and disco bunnies all recognise Europe’s ‘The Final Countdown’ but few would realise that on March 6th the Swedish rockers will release their 10th album, ‘War of Kings’ and if they fail to pick up a copy they are missing a slab of hard rock excellence.
As always the focus is on Joey Tempest and John Norum throughout, but to see this as some sort of star vehicle would be to miss the fact that Europe are very much a unit, tried, tested and true in their pursuit of excellence.
Jon Levén (bass) Mic Machaeli (keyboards) and Ian Haugland (drums) are all integral to the sound; and on ‘War of Kings’ there is a sense of purpose.
Building on their previous album ‘Bag of Bones’ Europe have not distilled their influences, instead they have gone back to what they love.
Tempest said:
“War Of Kings is the album we always wanted to make, ever since we were kids listening to bands like Zeppelin, Purple and Sabbath.”

Of course this begs the question about the previous nine releases, but we’ll skip over that...

Kicking off with the title track, a brooding mid-paced track, this is perhaps one of the most rounded album from the band. Stand-out tracks such as ‘The Second Day’, ‘California 405’ and ‘Angels (with Broken Hearts)’ swirl with delightful turns of musical phrase.

Yes, you can hear the Purple influence (California 405 could have been written with Ian Gillan in mind), but that does not detract from the fact that this is a triumphant hard rocking album.

Key to that could be that this is a line-up that has been largely together since the early 80s – bar the break from 1992 to 2003.

‘7 Days of Rock ‘n’ Roll’ sounds from the title as if it is another clichéd romp through how rock is great, but Michaeli and Norum produce a layered sound and backdrop to the song, and lyrically it just says that they’re still rocking...

Tempest declared that they have “done it our way” since the re-union, and that is something no-one could deny, and he’s not going to be shy about his pride in Europe.

“Looking forward to tons of touring in 2015,” he said. “It’s getting harder and harder to be modest and humble about this band. It doesn’t get much better than this.

War of Kings is released on UDR on March 6th.

Europe play Belfast's Ulster Hall on March 3rd, with co-headliners Black Star Riders and The Amorettes as support. It is their first visit to Belfast in 25 years.

Review by Jonny


Wednesday, February 25, 2015

INTERVIEW: Keep of Kalessin's Obsidian C speaks about artwork, Eurovision and production

Recently, Jamie from our partner website Devils Gate Media caught up with Obsidian C, now the front man of KEEP OF KALESSIN. Before discussing the new album, ‘Epistermology’, there was something else on Jamie’s mind…

Thanks for taking the time to talk to us. If you don’t mind, can I ask about you being the first Metal band to enter the Eurovision Song Contest? What ever made you consider entering?
"The boss for Eurovision here in Norway at the time, Per Sundnes, told the media that he would even consider black metal bands. This was just at the time when I had written ‘The Dragontower’, and I knew that this was a very catchy song so I decided to send it in and see the response. They liked it and offered us to enter the contest and why shouldn’t we do that when we’re offered the opportunity?"

Metal appears to be Norway’s biggest musical export. Do you think Norway was more open to a metal band representing them at the contest?
"Yes, I think Norway is one of the few countries where that is even possible."

How much did it raise the profile of the band, nationally and internationally?
"Nationally it raised the profile a lot. Internationally, not so much."

Bringing things back up to date… It’s been five years since the last album, with an EP release in between, and you’re back now as a three-piece. How do you feel, musically, about the position of the band now?
"The band is stronger than ever! I think that the new album is our best to date, and the reviews coming in from all over the world seems to agree with me. It is without any doubt that we have a very strong album out now!"

You produced all the previous releases. Was it a natural choice to take over the vocal role?
"After we split with Thebon, I had to really think if this was something I wanted, because it would mean a lot of work and a lot more resting on my shoulders than it already was. But I thought that since I produced all previous singers, I should be able to produce myself and push my own limits as well. It took some time and was a lot of work, but now I’m really glad I decided to finally step up and take the place as the front man for this band. We are getting good feedback on this on our live shows as well!"

Has the change in vocalist opened up more creative possibilities, regarding the writing process?
"Well, I don’t have to explain anything to a singer anymore! I can just do it myself. So the band is more streamlined, and the working process is moving faster than ever. So I don’t think it will be 5 years until the next album!"

Good! Talking of the writing process, there must a fair amount that doesn’t quite fit, especially when creating 7… 8… 9 minute tracks. How much material gets cut out the final tracks?
"We cut out a lot… but not so much parts of a song, as entire songs. We wrote 19 songs before recording this album and there are only 7 full songs on the album, so we have a lot of material that doesn’t fit on an album like this. Some of it will probably be released some time, but many songs will probably also just fade into oblivion."

There was an ongoing theme running through the ‘Armada’ and ‘Kolossus’ albums. Was this a result of material being written and not used?
"No, ‘Kolossus’ was written entirely on it’s own. We had some leftovers from ‘Armada’, but that material has still not seen the light of day."

Will ‘Epistermology’ mark the start of a new theme, that we could see continue in to another album?
"I think that the band has moved on to a more mature path and I think we will continue in that way on a couple of albums, but not necessarily keep the same theme."

The album has received superb reviews, with many saying you have an ability to surprise the listener album after album. What do you think will stand out from this new album? What, if anything, will surprise those listening to it for the first time?
"Hopefully, they will be surprised by the quality in the songwriting. I personally don’t think the speed or the clean vocals or any details like that is our best parts, but I really think the atmosphere and the songwriting is what separates Keep Of Kalessin from the rest."

The cover artwork is amazing. What’s the story behind the competition? Why open it up to the fan base?
"We decided to make an app for Facebook to hold a cover contest where designers could upload their artwork and our community could vote on what designs they liked the most.

The response was massive and we were overwhelmed by the amount and quality of the designs submitted!

The band then chose one winner from the top 3 designs voted by the fans. And this decision was fairly easy, since I felt that the only one that really captured what the album was about was Jean Michel, so I immediately knew that he would win as long as he made it to the top 3. And luckily for us, he did."

Do you think that creative industries should have that mutual respect for each other, and be openly more supportive of each other?
"I think everyone should have more mutual respect for each other and be more supportive. I think the metal community should be more supportive and not bash down every band that is trying to make it on this planet. Use your energy on supporting what you like instead of hating on what you don’t like!"

You said, after the release of ‘Kolossus’, that you were not big enough to headline in States. Five years on, has that now changed? Any plans to return to the States on a headline tour?
"Not really. I don’t think we’re even close to be able to headline the US so it doesn’t look like much is happening there in a while."

We’re looking forward to seeing you perform at Incineration Fest in London, in May. We think it’s an epic line up. Are you looking forward to being apart of it and being in London?
"Yeah, this is one of the shows we’re really looking forward to this year! See you there!"

Any final words for the fans and our readers?
"Thanks for the support! Check out our new album and see you at Incineration Fest!"

Incineration Festival takes place on 9th May  at the Electric Ballroom, Camden London.
Interview by Jamie from Devils Gate Media

Devils Gate Media is a partner site to Belfastmetalheadsreunited. It is a growing vibrant site, which we are proud to be a partner of, and have our reviews and interviews appear on.

Tuesday, February 24, 2015

NEWS: Big Truck rolling into town; Metal2TheMasses; Nightrage; Bloodstock; diary clashes; and, so much more

THE Big Truck is back on the road...Yep, in case you haven't been keeping up-to-date with all things in the Trucker Diablo world, their Pledge Music campaign was successful, the album has been polished off, and now the sound of that powerful engine is ready to roar again.
Rabid fans are already clearing all obstacles on the road to Ahoghill for the launch of the album 'Rise Above The Noise' on March 7th at the Diamond Rock Club...
Support comes from the Gasoline Outlaws, who have been kicking up a storm in double quick time with barely a couple of gigs under their belts and songs chock full of riffs big sing-a-long choruses 
For the dedicated (your faithful editor included) warm up for the Big Truck will be down in Limelight2 from five bells, when Heat Two of Metal To The Masses takes place. The competition, in case you didn't know, has, for the winner, a slot at the massive, prestigious Bloodstock Festival in August.
The first heat saw Sorrowfall and Altus qualify for the semi-finals: and the four-band shoot-out on March 7th will see Zombified, Donum Dei, Rule of Six and Cavehill.
The two winners will be selected by votes, with 50% of them from the audience and 50% from the judges. And, judging by last week's turn-out you can be sure that every vote counts.
Careful planning means you can see both gigs. You can (a) drive to Ahoghill after Metal To The Masses or (b) get the 9:20 train to Ballymena and taxi to Ahoghill and enjoy a pint. Who is it to say which is the best option...
Bloodstock's already jam-packed line-up has been boosted by an announcement today of five more acts to what is shaping up to be one of the most anticipated festivals of the year.

And, given that Lawnmower Deth, Oaf, Ethereal, Saille and the Dirty Sanchez lads, Pritchard Vs Dainton.

Add this to the already announced line-up...including Trivium, Sabaton, Within Temptation, Opeth, Rob Zombie, Black Label Society, Godflesh, Cannibal Corpse, Sepultura, Orange Goblin, 1349, Ensiferum, Nuclear Assault, Onslaught and many, many more.


For those of you who enjoy some dirty, old-fashioned, gypsy-tinged rock 'n' roll, don't forget that the Quireboys are making a return visit to the Diamond, Ahoghill.

With a superb Belfast show in 2014 they also plied their acoustic set earlier to great acclaim.

Well, with a new album due out in March - 'St Cecilia And The Gypsy Soul' - the good time, rock 'n' roll experience of Quireboys unplugged is coming to Ahoghill Rock City on March 28th.

If you've never experienced Quireboys live then this is one for your diary. Choice cuts, classics in a new light and some surprises as always from Spike and co.

And, here's a wee thing to note...St Cecilia And The Gypsy Soul comes as a four-cd pack with 'Halfpenny Dancer' and two live CDs from the tour of the same name...


Greek/Swedish metallers Nightrage are back on the metal scene with new release 'The Puritan'. It's been four years since they released 'Insidious' and they have a new label (Despotz Records) and a new singer in the shape of Ronnie Nyman (formerly of Always War).

The break and new shape sees the band re-take their melodic death metal roots and move to what they claim will be a "pure metal kick in the balls"

They've even managed to recruit Gus G to add solos to the song 'When Gold Turns To Rust...

It is fair to say that Nightrage could turn their potential into further international success with this release. And, here's a wee sample of what you can expect...


Decisions, decisions....March is packed with gigs (Europe/BSR, The Answer, Blazefest etc etc) but Easter weekend is already looking to be a corker...but, there will be decisions to take.

Saturday April 4th sees Joe Lynn Turner (he of Rainbow fame) play the Voodoo. Around the same time Danny Vaughn and Dan Reed are joining forces in the Diamond to bring their Snake Oil to Ahoghill...

It'll be a new sound from these two distinctive performers, who collectively have years of experience and two mighty sets of vocal chords.

And, the same night sees, Death Of A Salesman, By Conquest Or Consent, Scimitar and Figurehead play the Bar With No Name.

Ach, by the power of Lemmy it's going to be a difficult choice for rockers and metallers, but a choice must be made, and let no-one argue that there's a shortage of shows here in Norn Iron....

What can be sure is that we'll up early the next morning to make the odyssey, the journey of a lifetime to the Siege of Limerick.

After all it's only right that we support Rabid Bitch of the North, Maverick, By Any Means, Altus, War Iron and Astralnaut as they mount an invasion across the border.

And, what's more, even though you have to pay to travel the Siege of Limerick is free entry!

Let the mayhem commence!


Now, with all that ahead let's take a recap on what's taking place in March...

On March 3rd, as mentioned earlier Europe, Black Star Riders and The Amorettes play the Ulster Hall, and the next day Chris Jericho brings Fozzy to Limelight2, with support from The Dirty Youth.

With no chance of a break The Hornets play QUB Bar Sub on the 5th with The Answer in Limelight2 the next day. That Friday also sees Hibagon/TBVS/Molarbear/Berzerker Blood are at the Warzone Centre.

As mentioned before Saturday, March 7th sees Metal2TheMasses in Limelight2 and Trucker Diablo in the Diamond....Oh and Weed Priest, Astralnaut, Nomadic Rituals and Wardomized are in the Voodoo.

Royal Blood are playing a sold-out show in the Ulster Hall on Sunday March 8th.

NWOBHM legends Angel Witch play Limelight2 with the supporting cast including Darkest Era, Rabid Bitch of the North and Stereo Nasty.

If you haven't got a ticket for the sold-out Papa Roach then there is an alternative. Yes, the annual Blazefest takes place as once again Darren and Dawn Shields-Petit host Blazefest 5 in the Empire Music Hall with Screaming Eagles, Maverick, Sinocence, Conjuring Fate and The Irontown Diehards. All proceeds go to the Royal Hospital for Sick Children.

On March 28th Sinocence launch 'No Gods. No Masters Volume II' in Limelight2 with Conjuring Fate, Donum Dei and Gasoline Outlaws...and then a quick trip up to Ahoghill for the Quireboys...

And on Sunday, March 29th Coltsblood, Ninkharsag, War Iron, and Nomadic Rituals play the Voodoo, Belfast.

Nah, there's no gigs in Norn Iron!



Monday, February 23, 2015

INTERVIEW: Buy merch or die...Waylander chat ahead of Hammerfest VII appearance

THEY were amongst the first to merge folk and metal, to bring together traditional sounds with the might of metal as far back as the early 90s - they are Waylander.

And, as they prepare for their appearance at Hammerfest VII in a couple of short weeks we caught up with ArdChieftain O'Hagan to check out what is happening in the Waylander camp in 2015....what shape are the band in?

"We have a stable line up, which always helps, but having 6 people in the band with work and family commitments means that getting everyone together at the same time in the same place, is difficult," said O'Hagan.

As the history of the band goes, it is fair to say that Waylander were trailblazers in the journey towards folk metal in the 21st Century.
!In recent years, with the various anniversaries that have came up, has meant that i've thought about this more than usual," he said. "Of course we were trailblazers[your word not mine], the evidence is there for all to see.

"We wrote 'Born to the Fight' as far back as 1993, so we were one of the handful of bands playing folk influenced Metal back then. Our debut album, 'Reawakening Pride Once Lost' has been cited as an influence by many bands."

O'Hagan went on: "As for being trailblazers these days, well, no, we're not. I can't see how we could be unless we completely reinvent our sound and produce music which has never been done before. Pretty impossible in this day and age, don't you think?"

But the band are not sitting on their laurels...
"We are working on new material which should be recorded some time this year," he said. "As for releasing a new album, who knows when, but it will happen. We will hopefully arrange some shows later on in the year but nothing confirmed just yet."

With the Hammerfest appearance imminent we wanted to know how important are festivals for bands like Waylander.
"Festivals are always important for a band to play, especially for bands like ourselves who don't tour extensively," said O'Hagan. "There is the unique opportunity to play to a larger than normal audience and more chance of making new fans.
"Hammerfest has been good to us and we are really looking forward to playing the main stage for the 2nd time."
But before we bid Waylander good luck at Hammerfest we wanted to hear what tips they could offer festival newbies...
"It's important to buy at least one item of whatever Waylander are selling in the Merch shop, that ensures that a member of the band won't murder you. Not being dead is definitely a plus when trying to enjoy a Festival.
"The only other piece of advice i can offer is to never sober up, thus eliminating the prospects of the dreaded hangover. "
Sound advice we think, and please drink irresponsibly...
Interview by Jonny

Sunday, February 22, 2015

ALBUM REVIEW: Black Star Riders beginning to establish their own identity on The Killer Instinct

THE Black Star Riders are to many an enigma. Emerging from the ashes of Thin Lizzy's dying embers, their last album 'All Hell Breaks Loose' there was a definite whiff of compromise between the Lizzy template and Ricky Warwick's powerful influence.

Certainly some hardcore Lizzy devotees (including our contributor Baal) found the whole thing distasteful, but it was, if nothing else, a bridge between the past and the present.

The latest album, 'The Killer Instinct' sees Black Star Riders move on from that 'bridging' period; and while Scott Gorham's guitar work still harkens back to Lizzy, Warwick can now be see to be influencing the way forward.

Album opener and title track 'The Killer Instinct' has a Lizzy cover version feel, only salvaged by the lyrics, but 'Bullet Blues' sees the band adopt a contemporary hard rock sound.

Certainly  evident is that Warwick and Damon Johnson are taking on the bulk of song writing chores.

A defining moment on the album is the fourth track, 'Soldierstown', which sees Warwick's personal observations of Belfast married with a Celtic vibe that simply portrays a vision of despair.

But, there are flaws on this release. 'Charlie I Gotta Go' at times seems lazy, only redeemed by the pre-chorus and the solos.

However, following that is the six-minute 'Blindsided'. Balladic, with bathos and pathos in equal measure. One word - beautiful.

The flawed but enjoyable 'Through the Motions' opens with a riff that seems to be going...well through the motions, but the tune develops and grows, especially at the concluding bridges.

And, in terms of bridges, 'Turn in Your Arms' muscular riffs and solos showcase the transition between an ex-Lizzy sound and hard rock as it sounds in the 21st Century.

Closer is a seven minute plus semi-epic in the shape of 'You Little Liar', which to be honest seems to be a song that will only evolve in the live environment.

Stepping back to take an objective approach - as opposed to the subjective fan of Lizzy and The Almighty - what Black Star Riders have accomplished is a significant step towards their own identity.

With the evident growing writing influence of Warwick and Johnson one can only hope that with this and subsequent releases they will have less need to cover Lizzy on stage and can be recognised for their achievement rather than rely on legacy.

The Killer Instinct is available now on Nuclear Blast.

Review by Jonny

NEWS: Norn Iron's Terminus take on Europe...Europe doesn't stand a chance

BACK in the dim and distant past 'eavy metaaal was not a complicated patchwork of genres and sub-genres. It was simply 'eavy fuggin' metal, played loud and proud.

Harkening back to those days are Northern Ireland's Terminus, who are preparing for a European assault.

This five piece takes
their lead from Iron Maiden, King Diamond, Savage Grace, Slough Feg and Exciter - ey exist solely to play real Heavy Metal without pose or fuss in a scene where its presence has been sorely missed.

The band has been plugging away in the background with sporadically popping up to play gigs with the likes of Grand Magus, Argus, Darkest Era, Atlantean Kodex and Ravensire.

Releasing a well received demo in 2012 and then a split 7" on the German label Underground Power Records the band are gearing up for the release of their yet untitled debut album and to celebrate this they will also play a spate of dates across Europe in the coming year.

Confirmed so far the band will be unleashing their power upon the following .

  • 5th March Up The Hammers Festival, Athens, Greece (with Manilla Road, Battleroar, Sacred Steel)
  • 10th April 2015 Gypsy Rose, Dublin supporting Argus (US), Mael Mordha (Ire), Void Moon (Swe)
  • 11th April 2015 Limelight 2, Belfast supporting Void Moon ( Swe) + 2 TBC
  • 9-11th July 2015 Metal Magic Festival, Denmark (with Candlemass, Girlschool, Sigh, Gospel of the Horns)
  • 3rd October 205 No Compromise Festival, Belgium (with Portrait, Toledo Steel + Tbc)

More dates to be confirmed!

To fill the gap until the release of the album on Stormspell Records (CD) and Horror Records (Vinyl and MC) the band have unleashed a new track "Fortress Titan"

Terminus are James Beattie - Vocals David McCallum - Bass Paul Duffy - Guitar Gavin Coulter - Guitar David Gillespie - Drums





ALBUM REVIEW: FM lay bare the Art of AOR on Heroes and Villains

REGARDED by many as the UK's answer to Bon Jovi in the eighties, FM will release their fourth studio album since their return from hiatus in 2008, 'Heroes and Villains', on April 17th, but are they still relevant and interesting?
Turns out they are.
These fine exponents of melodic rock music have produced quite possibly their best album since 'Aphrodisiac' in '92. The classic sound is there but a little rockier and up tempo than last years 'Rockville I & II'.
Steve Overland is simply one of the best rock singers these shores have produced and Jim Kirkpatrick's guitar oozes class with some big bluesy licks with no shortage of funk.
The rhythm section of Merv Goldsworthy (bass) and Pete Jupp (drums) is solid and keeps the whole groove going along nicely. Add Jem Davis with his Moog synth and Mellotron and Hammond organs and you get a slightly retro feel.
The album was self produced and a damn fine job they made of it too!
Starting with the Def Leppardesque 'Digging up the Dirt' the band set the tone with a not so subtle dig at the tabloid presss.
'You're The Best Thing About M'" is a mid tempo rocker that is a throw back to earlier albums and as catchy as hell, again with an underlying Def Leppard riff and background vocals.
'Life is a Highway' is another melodic rocker with a catchy tune, great chorus and nice lead break from Jim and is reportedly one of the band's favourites on the album.
'Fire and Rain' has a haunting funky start before turning into one of the heavier, bluesy riff inspired tracks with more than a hint of Paul Rodgers and Bad Company.
Of course no FM album can call itself that without the good old power ballad and 'Incredible' fits the bill nicely with acoustic guitar and the inclusion of a string quartet.
The pace lifts again with 'Call on Me' ,originally recorded during the Metropolis album sessions, and revamped for this album with a huge chorus and a great hooky solo.
Next up is a song featured on last years 'Futurama EP', 'Cold Hearted' . A bluesier and funkier number which is already a live favourite.
'Shape I'm In' and 'Big Brother' follow. The former, another song with a bluesy riff about lost love, the latter about, to use the bands words, "the ever increasing Orwellian world we live in"
Track 10 is the Rolling Stones inspired 'Somedays I Only Wanna Rock and Roll' which has a nice bit of Sax at the end.
The penultimate track 'I Want You' is another old school melodic blues FM number which includes the obligatory hand claps in the chorus....yeah!
And now we come to the final track 'Walking With The Angels'... A stripped down acoustic number about finally finding your true love that has haunting vocals,subtle keyboards and the string quartet again. Quite possibly one of the most beautiful songs you will heart in 2015.
Sun Tzu proclaimed  "There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard"
Think the old Chinese master of warfare might've nicked that from FM.
If you love your AOR then Heroes and Villians should be on your shopping list.
Review by Andy Gillen

ALBUM REVIEW: Smash Into Pieces have modern radio-friendly rock on Apocalypse DJ

WHEN it comes to a wealth of diverse music, the Scandinavian countries have the lion's share, and the latest evidence comes for Smash into Pieces as they let rip with radio-friendly rock on their second album 'Apocalypse DJ'.

Follwing on from their 2013 debut album 'Unbreakable' and consists of eleven tracks of what could be described as modern rock with a slight alternative feel to a number of tracks.

Made up vocalist Chris Adam Hedman Sorbye, guitarists Benjamin Jannebo and Per Berquist, bassist Viktor Vidlund and drummer Isak Snow, Smash to Pieces have a curious back-story...
In 2009 the band reached the semi finals of the Swedens got Talent compitition but dropped out of it when they signed a record deal which then went sour on them after releasing one single. They remained unsigned for a few years before signing with Gain/Sony Music and released their debut album in April 2013.
The production on this 2015 release is top quality. The guitars have a nice crisp feel to them and all the instruments are to the fore which adds to a nice full sound.
The vocals of Chris Adam Hedman Sorbye for the most part deserve praise.  He has a good deep voice which really suits the music and he is more than capable of carrying a tune, the only problem is when he tries a sort of growled vocal on a number of tracks which doesn't really work such as on the track 'Burn'.

Whilst the guitars have a nice crisp sound unfortunately the riffs for the most part are generic radio rock and quite a few of the tracks have a pronounced industrial and 'nu-metal' feel which at times dates the album, again the track 'Burn' is the main culprit with the main riff all to reminiscent of the more radio friendly tracks from Fear Factory around the time of 'Digimortal'.

The band certainly know how to write catchy, melodic songs. So far they have released two singles from this album, 'Disaster Highway' and 'Checkmate' but almost any of the tracks on this album could be released as a single such is the amount of hooks and sing along chorus they appear to have at their disposal.
You could easily imagine any of these tracks playing in the background of some American teen drama or at a sporting event. 

The two tracks which stand out for praise are the semi ballad 'Color Of Your Eyes' and 'My Cocaine'. 

'Color Of Your Eyes' starts off with a nice keyboard and clean picked guitar lines which continues through the first verse before the whole band join in for the chorus and a standout performance from Chris Adam Hedman Sorbye.

'My Cocaine' is duet with Elize Ryd of Amaranthe and has each vocalist singing a verse before joining together for the chorus.  Both voices combine well together but it is the presence of Elize Ryd that really makes this track top quality.   Her vocals start off being quite dreamy and ends up with her belting out quite a few high notes as the music gathers momentum.

'Apocalypse DJ' is an album slick, well produced radio rock which seems to be aimed squarely at the American market. 
Most of the band members admit to their love of bands such as Nickleback and Alter Bridge and listening to this album their influence on the musicians is obvious.

If inoffensive, radio friendly modern rock mixed with industrial and Nu Metal is your cup of tea then this will be the album for you. If not stay away.

'Apocalypse DJ' is released on 16th March on Gain
Review by Gavin O'Connor